In the first half of the 20th century, photographers such as Bill Brandt, Brassaï, André Kertész, and Man Ray left their native countries and became observers and interpreters of their new surroundings. This large-format exhibition catalogue reconsiders the work and influence of key figures in modernist photography from the point of view of their status as immigrants, exploring how this condition affected their vision and creativity while enriching the development of photographic language. The book includes a central essay by former  Senior Curator of Photography Nissan N. Perez, an informative biographical index of immigrant photographers, and an arresting 200-page album of works.